(Alternately: Correcting Common Misconceptions about
IP Application or Lack Thereof)
Based on the title, one might assume this post is
about Florida Tower and DCA/Paris Tower.
Those are the two models of the ride based around The Twilight Zone after all.
This post is not about those Towers.
This is about Florida and Tokyo.
Now, there’s one frustrating accusation I’ve seen
thrown towards the various Twilight Zone
Towers: basically, that they do a crappy job of fitting with the IP, and that
the supposed “lost episode” idea that the ride portrays would not fit with the
actual show at all. Meanwhile, I’ve seen
Tokyo’s original-story version of the ride lauded as the “best” Tower, with
a story designed just for the ride from the start with no IP concessions, and a
morality tale that ironically fits in more with the Twilight Zone IP.
This doesn’t pop up overly often, and I’ve mentioned
this issue in passing in other posts, but I figured it’s long past time I
finally give this its own article.
Note that I’ll generally have Florida in mind as my
example of a Twilight Zone Tower,
given that it is the first and most elaborate iteration of that idea.
I’ll also state again that I loved the story side of Tokyo’s Tower of Terror, just not the
actual ride portion. So don’t worry,
this isn’t me hating on Tokyo, just correcting a frustrating assertion I’ve
seen in the Tokyo vs. Twilight Zone
debate.
That being said, let’s break this down by issue:
1. Does the Twilight
Zone Tower not even fit with the series’ stories at all?
Absolutely yes! I wouldn't be writing this if I agreed it didn't!
Of course, this requires some elaboration. The
Twilight Zone is famous not just as a science fiction anthology, but also
as a series containing many morality tales.
Given that the Twilight Zone Tower is meant to represent another
episode, this has left some fans scratching their heads and asking, “Where’s
the moral? What did the Five People in
an Elevator and/or the guests do to invoke the wrath of a supernatural storm?”
In my post about experiential storytelling, I
posited this interpretation:
"The
Twilight Zone, in the eponymous show, is often (although not always) a realm of
karmic punishment. In the book Everything I Need to Know I
Learned in the Twilight Zone by Mark Dawidziak, the author notes that
people who take dares fare especially poorly in the Zone. What was the
marketing campaign heavily centered around? "I took the
dare!" The pre-show video even states "We invite you if
you dare to step aboard." It's possible that, by
taking the dare to enter the building and/or ride the elevator, our characters
were getting their punishment for taking dares. Likewise, our characters
seemingly are poking around an abandoned and potentially dangerous tragic disaster
site for no good reason, and thus being stupid and/or disrespectful--two other
things that generally aren't rewarded in the Twilight Zone.
Of course, "this is happening because our characters were stupid
jerks" is far from a satisfying explanation, and it stems from a knowledge
of the ride's source material that the average rider may not have (and should
not be required to have), so I won't posit my guess here as
"canon". Instead it's merely the best explanation I can
offer. Indiana Jones and the Temple of the Forbidden Eye sadly does use
"the curse happens because your characters were stupid jerks" as its
official story, so it wouldn't be completely out of character for Disney to use
this plot device, however."
As you can see, I noted that this interpretation
requires looking much deeper into the ride, marketing materials, and original
show than the average rider might be expected to have. It also places the guests in an “evil” role,
which seems…somewhat rude, automatically assigning the “wrong” intentions to
the guests no matter what. However, even
without a fan doing a deep dive into the lore (or having to be told they’re a
jerk for riding the attraction), there is an easy explanation for how the Tower’s
story absolutely fits into the show canon.
Not
every Twilight Zone story is a morality tale.
Seriously, although there are quite a few episodes
with morals and karmic justice, there are also quite a few where weird or
tragic crap just… happens. There is even a major example of this in one
of the most famous episodes, “Time Enough at Last.”
For those of you who have not yet seen the episode,
“Time Enough at Last” is about a man, Henry Bemis, who loves to read, but is
prevented from doing so by his unpleasant boss and wife. Then nuclear disaster hits the world, leaving
Bemis the last person alive, but finally
with time to read—only for his glasses to break, dooming him to walk the earth
with horribly blurry vision and unable to do the one activity he might consider
to make such a lonely existence worthwhile.
There’s no real moral to be had there (aside from
perhaps the exceedingly mundane “always have spare glasses.”). There’s certainly no karmic justice either;
Bemis doesn’t seem to be a bad enough guy to deserve lifelong psychological torment,
and the rest of the world just got nuked
into oblivion. Even Dawidziak’s book—a
book dedicated to finding the morals
of famous episodes—failed to find a message behind “Time Enough at Last”,
besides, perhaps, “bad things sometimes happen to good people, and that can’t
be avoided.”
Henry Bemis’ broken glasses are featured as Easter
Eggs in the Twilight Zone Towers, and Imagineers viewed every episode of the
original series when designing the ride.
It was no secret to the designers that faithfully adapting the licensed
property did not necessitate going for a moral-based plot.
Interestingly enough, the series does have its share of ominous elevators
(see the episode “22”, which got an Easter egg in DCA, for some especially
familiar scenes), but none of them ever drop… until this “lost episode”. The designers are
almost making it a Chekov’s Gun.
So, for those concerned that the Twilight Zone Tower
is an “unfaithful adaptation” for plot reasons, it is certainly not. None of the Elevator Five needed to have done
anything wrong to get cursed by that fateful lightning bolt, nor did the
presumably hundreds of other people in the Hollywood Tower Hotel to get cursed
by the lightning storm either. The riders
need not necessarily have any “good” reason to get subsequently cursed
either. The Zone isn’t always about karmic justice; sometimes,
unfortunately, shit happens.
2. Is Tokyo’s storyline a flawless Twilight Zone-esque experience with a
tighter plot than the Twilight Zone Tower?
Very much yes to the Twilight Zone comparison... but it requires some leaps of logic regarding why the guests get cursed.
The basic summary is this: Harrison Hightower was a
super rich, super egotistical ass who built a hotel in New York, the Hotel
Hightower, basically as a monument to himself.
He spent his life traveling around the world to steal artifacts from
other cultures and displayed his spoils in the Hightower. He was such a jerk that he stole more than
even the vast hotel could display; piles of treasure built up in the
basement. Then, one fateful day, he obtained
the idol Shiriki Utundu, which cursed him, sending him plummeting to his doom
down the elevator shaft, his pride preceding his literal fall. His ghost is sentenced to keep reliving his
horrible final moments.
The New York Historical Society couldn’t let such a
magnificent hotel just be demolished, though, and started giving tours of the
place. Of course, things go rather wrong
with the tour once guests take the elevator to see the upper floors…
Now, the morality story angle is PAINFULLY
clear. There’s also a really clear
reason why Harrison is cursed and still haunting the place; it’s his karmic
punishment. The monument he built to his
ego is now his prison. It’s obvious why
people who think that The Twilight Zone
automatically equals “morality tale” would gravitate towards this storyline.
But…why are the guests
cursed to also plummet in the elevator on their tour? Does the Historical Society know the guests
are in danger?
An answer to the first question might be “Shiriki
Utundu is warning the guests not to follow in Harrison’s footsteps”, but that’s
a guess. A more cynical guess might be
that the idol also thinks the guests are somehow like Hightower and thus deserve his same fate—or that Shiriki
Utundu is just a jerk who likes cursing people.
As for the second question… all I have is more questions. Are the tour guides super oblivious? Are they indifferent to the idea that their
tours are potentially dangerous? Have
they become somehow influenced by the curse, becoming agents of the malevolent
force in the building the same way the Twilight Zone bellhops are?
Of course, the actual “curse” drops are so gentle
it’s almost difficult to consider them as representing “danger”, so, just as a
sarcastic guess here, maybe it was an intentional part of the tour all along? Historians, especially those working around “haunted”
historic sites, can have some dark senses of humor.
If a translation I found of the pre-show is correct,
Tokyo might actually use the “don’t take the dare!”/”we’re cursed because we’re
stupid” version of why the guests are cursed as actual canon. In the
pre-show, Hightower warns us to not fall victim to Shiriki Utundu’s curse like
him, and to run away while we still can.
Of course, we continue our historical tour anyway, and subsequently end
up cursed. Even on a different continent
and with a different storyline, we still
took the dare.
Tokyo’s story answers a bit more about what’s going
on (namely, why the initial ghost is haunting the elevator), but clearly
there’s some head-scratchers left.
3. So… should
the Towers have swapped stories or something?
I’ve read praise for Tokyo’s Tower based on the fact
that it’s one of the few new attractions to not prominently feature an IP. However, like any good Twilight Zone story, there’s a twist.
There’s no need to swap stories… because the two
hotels have been in the same continuity all
along.
In Shanghai Disneyland, there’s a newspaper on a
bulletin board that contains headlines both about a disaster at the Hollywood
Tower Hotel and about the League of Adventurers finding the
Temple of the Crystal Skull. Obviously,
the Hollywood Tower is the Twilight Zone Tower of Terror. The Temple of the Crystal Skull is the
setting for Tokyo DisneySea’s Indiana Jones ride, which is in the Lost River
Delta. Lots of Hightower’s artifacts are
clearly marked as having come from Lost River Delta. The Lost River Delta and the HTH, and therefore the Hotel Hightower and the Twilight Zone version,
all are in the same continuity. It’s all the same story.
Tokyo’s is still technically in the Twilight Zone,
it just never says it. It never needs to say it, both because good storytelling never needs a specific IP,
and because the connections are there anyways for those who care to look. Come on, isn’t it easy to envision Rod
Serling giving some sharp commentary about Hightower while gesturing toward the
idol in Hightower’s office?
Funny enough, having two “lost episodes” with the
same gimmick would even fit with the actual Twilight
Zone show continuity. It had TWO
episodes about ventriloquist dummies, and even used the same puppet for both!
On another note, the ultimate conclusion of all
these connections means that building a 13-story hotel in the Disney Parks
canon is just a really bad idea.
